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THE_CASE_OF_CORTO_MALTESE


                                                        June 29, 2018

Once upon a time, when I was living down around Stanford, just off
campus, a woman was visiting our place who was of a distinctly
liberal/left hippie cast (e.g. she was sporting a floral nose pin
back when facial piercings were still the province of neo-tribal
freaks).

She saw a copy of one of my collections of Corto Maltese
sitting on the dining room table....

Corto Maltese was a french comic strip,
of the adventure hero variety.  He's an
immediately recognizeable character           The anime character Spike from
throughout the world, except in the           "Cowboy Beebop" is nearly
(often rather parochial) United States,       identical to Corto Maltese.
where he's known only among hardcore
comics fans-- some collections in                        COWBOY_BEBOP
"graphic novel" format were published in
the early 90s, and endorsed by the likes                 TOON_DIAL
of Frank Miller.

Corto Maltese was a man of the era              Other notable features: there
before World War I, an adventurer               was an explicit (sometimes
after sunken treasure, artifacts of             heavy-handed) attempt at being
lost civilizations, hijacked military           anti-racist.  In one
gold, and so on...                              story, a basic-white kid from
                                                England is traveling to Jamaca
The opening panel of this strip was an          to meet his half-sister for
instant classic: Corto, feet up on a cafe       the first time, and he's
table, sleeping with a sailors cap pulled       somewhat weirded out to find
down over his eyes: "One could see right        that she's a black girl (his
away that he was a man of destiny."             father remarried to a woman
                                                *from Jamaca*...  why wouldn't
                                                she be black?).
  So, as the hippie-ish woman
  glanced at Corto Maltese, I said              Particularly interesting was
  something like:                               the character Gold Mouth--
                                                she's supposed to be some sort
  "Corto Maltese is my hero!"                   of voodoo priestess, but she's
                                                also the head of the
                                                Atlantic-Richfield Company.
  She flipped though it, opening it             At one point, Corto has been
  up to one of the more violent                 going after some sunken
  passages, with gun-fire amidst                treasure, and he realizes he's
  an avalanch, and Corto waking up              been out-manuevered... by
  in a hospital.                                "Atlantic-Richfield".  The
                                                basic white kid is incensed:
  She looked at this dubiously,                 "How could Gold Mouth do that
  and said quietly, very                        to us?"  Corto's response:
  seriously "You could be shot."                "She didn't do anything I
                                                wouldn't have done."
  And this, I offer up as an excellent
  example of completely missing the point.

  It displays an understanding that's very
  straightforward, and in some respects
  obviously correct-- but it's also weirdly
  limited: plodding, excessively literal...
  an attempt at insight that's remarkably
  dull-witted.


     Plodding our way back through this:

     "Corto Maltese is my hero!" is
     an obvious joke, a humorous          Though every once in a while you do
     overstatement-- and even if it       hear about someone who is stupid
     were not, it wouldn't mean that      enough to go there-- for example, a
     I think it's a good idea to try      fan of super-hero comics who wants
     to become a clone of Corto           to play good-guy vigilante-- but
     Maltese, to try to live a life       they're a weird exception, almost
     identical to the stories.            universally regarded as totally
                                          insane.

                                                   E.g. Pheonix Jones of the
     But what is it that it might really           Rain City Superheroes in
     mean to call Corto Maltese your hero?         Seattle:

     I think you're treating the                     [link]
     character as a kind of ideal
     rather than a precise model--
     Corto Maltese deals with what
     comes as well as he can with                 He is a man who
     style, without losing                        "dreams with his
     composure...  you might say                  eyes open"--
     "with courage".
                                      
I sometimes wonder if I'm being similarly     
dumb in my own commentary, e.g. when                                                
discussing nominally "women's fiction"                                                     
like shojou manga...                                                                       
                                                     
   UNSYMP_RESYNC    
                                                     
                                                     There are connections    
                                                     between fiction and      
                                                     reality, but they're not 
                                                     always tight connections.



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