[PREV - 2001] [TOP]
2001_KAELS
January 15, 2013
TRASHING_KAEL
Section VIII, of Pauline Kael's
"Trash, Art, and the Movies" (1969),
is all anti-2001 intellectual gibble-gabble.
The space walk scene at the start of
"You Only Live Twice"-- which Kael
preferred to 2001-- was way stupid, too
stupid to bother expounding on why it
was stupid, and if Kael didn't notice,
there's an obvious conclusion.
Most charitably: we are
of different tribes.
The opposite tack: she
doesn't know anything. KNOWS_SOMETHING
The idea that 2001 and
Strangelove taken together
show a death worship is
quite a stretch: Kubrick did
one film about humanity's
self-destruction, and
another-- arguably-- about
Putting aside the alien saviors stepping in
stuck dial on her (ala "The Day the World
sneer-o-matic: Stood Still" and friends).
She may have a point about the EXPOSURE_TO_VACUUM
implicit passivity of 2001.
The message might be taken as:
We don't know what's going on and
nothing we do actually matters, so
we might as well just worship the
Great Obelisk.
The religious overtones of 2001--
this vision of ascension, or cosmic
transcendence into the next phase of And there are similar themes
humanity... this is perhaps a sign throughout much of Clarke's
that Clarke, one of the great work, though Kael, of course,
Rational Men, had not truly managed knows nothing except them
to divorce himself from Christianity. movin' picture shows.
Maybe he didn't get past it
until much later, with
"Songs of Distant Earth". GODDEATH
--------
[NEXT - PERMANENT_GAP]