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ARISTOTLE_ADVISES
July 30 - October 9, 2018
ARISTOTLE_POETICS
Section XVII is is a peculiar section where Aristotle
appears to be giving advice on writing techniques-- see,
you want to imagine the action in detail to avoid gaffs
when it's staged, etc.
He appears to be saying that you should read the dialog
outloud, ranting and gesticulating as appropriate,
doing your best to get into it:
From Section XVII:
"Again, the poet should work out his play, to the best
of his power, with appropriate gestures; for those who
feel emotion are most convincing through natural
sympathy with the characters they represent; and one
who is agitated storms, one who is angry rages, with
the most life-like reality. Hence poetry implies either
a happy gift of nature or a strain of madness. In the
one case a man can take the mould of any character; in
the other, he is lifted out of his proper self."
That closing lines there work well
standalone, though read that way it may
not have enough context:
"... poetry implies either a happy gift
of nature or a strain of madness. In
the one case a man can take the mould
of any character; in the other, he is
lifted out of his proper self."
Unpacking something like the following passage
from Section XVIII is difficult: does Aristotle
really approve of trying to be all things, or
is he just giving some cynical advice on
shutting-up the critics?
"The poet should endeavour, if possible,
to combine all poetic elements; or failing
that, the greatest number and those the
most important; the more so, in face of
the cavilling criticism of the day. For
whereas there have hitherto been good
poets, each in his own branch, the critics
now expect one man to surpass all others
in their several lines of excellence."
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