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BITER_BIT
December 25, 2012
The "biter bit" story
(in which the biter is
later bit) was a When I first read this phrase,
prominent, popular, I thought it was "bitter bit".
story form, perhaps
a sub-genre.
As an example, take this episode of
the radio show "The Inner Sanctum", http://archive.org/details/Inner_Sanctum_otr
from 1948: "Murder by Prophecy". http://archive.org/download/Inner_Sanctum_otr/Inner_Sanctum_-_480927_Murder_By_Prophecy.mp3
http://archive.org/download/Inner_Sanctum_otr/Inner_Sanctum_-_480927_Murder_By_Prophecy.ogg
A "lost heir" arrives to find his
inheritence is valueless, and yet there's
a possibility he may be able to trace an
ancestor's hidden treasure. This ancestor
has left behind some amazingly prophetic
verses, one of which seems to describe the
viewpoint character, and it provides a
path he can follow to the treasure: it
requires murdering several people in
succession, which he immediately sets
about doing. Then, following the last
clue of the prophecy, he does find the
treasure... and ends up entombed with it:
he will die with the gold at his feet.
As "stories" go, this isn't much of
a story: it has no hero. The main Possibly, the "hero" is the
character is foul, and his prophetic nature of the universe:
ancestor was if anything worse. "Crime never pays", right?
The main character is not even an
"anti-hero", he does not have our
sympathy in any way.
There's an echo of the usual "problem
and resolution" form, but only an
echo: the main character figures out
the clues, and makes the moves, but
his "victory" is pointless. It isn't And there's very little
actually a "tragic ending", either, about the clues embedded in
we feel no sense of loss because the the verse that is at all
main character loses, in fact we feel clever: a "stone of great
that this is justice triumphant. price" turns out to be a
woman named "Ruby", the
But there's nothing enobling about "four keys" turns out to be
this conclusion: it's a pretty grim a reference to a tomb for a
business. The biter is bit, the family named Keys.
killer is killed, the shit is
shat upon. We watch the inevitable
play out to it's expected finish.
The thing that's remarkable about this
relatively pointless narrative is that
it is not, for example, some sort of
experimental, avant-garde work by a
radical socialist intent on demonizing
greed.
This is an entry in a popular genre--
stories like this were once rather
common.
Inner Sanctum
We are expected to enjoy Suspense
watching someone even
nastier than ourselves come E.C. Comics
to a nasty end. We're
expected to appreciate the The Warren magazines:
ironic justice: the man "Tales from the Crypt"
willing to kill for gold "Eerie"
obtains it, but is killed
doing it.
NEO-IRONY
And if it wasn't clear what
we're supposed to think, with Could it be that
"The Inner Sanctum", we have I'm obscuring the
the thoroughly witless narrator appeal of this form
acting as jeer-leader. by choosing a minor
example?
H.G. Wells' "The
War of the Worlds"
has a similar
structure.
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