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CAPTAIN_BLOOD
October 2007
Rafael Sabatini, Published the year after
"Captain Blood" (1922) his "Scaramouche" (1921)
SCARAMOUCHE
Sabatini was in fine form in this
swashbuckler about a reluctant TREASON_FACTORY
pirate -- a physician who, after
being accused of treating a rebel,
was transported to Barbados to There's many a touch of wise
become a slave until his escape philosophy and plausible
schemes are interupted by an attack psychology here... but the quote
by Spanish pirates -- whose ship he that catches my attention:
and his gang of escaping slaves
then seize... "As for mademoiselle, she had risen,
and was leaning forward, a hand
pressed tightly to her heaving
That premise is actually breast, her face deathly pale, a
pretty good-- Peter Lambourne wild terror in her eyes."
Wilson mentions in "Pirate
Utopias" that this is where p. 135, Ch. XV "The Ransom"
a lot of pirates came from:
if you're an escaped slave That was back in 1922. The heaving
what else are you going to bossoms of the bodice-ripper became a
do? figure of fun by the fifties or
so... what's the history of this motif?
Is this an early example? Was it
well-established already?
A true scholarship of
popular fiction would
include a study of such
tropes...
The heaving breast;
The disembodied hand;
The "injury-to-the-eye motif"...
A sequel to this book was
published over a decade later: A year after the Errol Flynn/
Olivia de Haviland "Captain
Rafael Sabatini Blood" movie in 1935...
"The Fortunes of Captain Blood" (1936)
These are short stories that appear
to lie chronologically in the middle
of the earlier novel "Captain Blood".
As I remember it, there is a
passage in the novel that goes
"And then he had many other
adventures, of which we have It would be
no space to relate". interesting if
Sabatini had
this planned out Maybe some of
in advance. the stories were
were written first?
Since "Captain Blood" ends
with Blood settling down
with The Woman, it would
be mildly difficult to do
a simple chronological sequel.
I suppose you could do a
"coming out of retirement"
in response to some
emergency.
This 1962 popular
library edition claims:
"Sabatini's works are credited with
being almost soley responsible for
the rebirth of the historical novel."
That's news to me, but
I'll believe it, being
a credulous fellow.
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