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February 3, 2014
March 7, 2014
An article by Frank Rich in the "New York Review
of Books" of Feb 20, 2014, titled "Who Was JFK?",
leads off archly discussing the sheer quantity of
recent JFK lit:
http://www.nybooks.com/articles/archives/2014/feb/20/who-was-jfk/
"If the yardsticks are sheer volume
and patriotic pretense, then the
fiftieth-anniversary commemoration of
the Kennedy assasination can be
called the epic cultural event. ..."
"Television was no less rapacious in
ransacking the archives. ... "
The stunningly obvious question though
is why we should regard Frank Rich as And granting the need for
a commentator above-the-fray, or just reviews and summaries, this
another person giving in to the same one seems a bit late. This
impulses? stuff has been covered (and
covered better) in places
The point is so obvious like "The Nation".
that it makes me tired.
Do you realize that this GAGE_THEORIES
man's criticism may be--
(dramatic pause) turned Though the actual point of the
against himself! article-- ostensibly a review of
Ira Stoll's "JFK, Conservative"--
It's amazing that is to track conservative attitudes
anyone can be so toward JFK, which is mildly
unselfconscious... interesting at least... but the
main body here seems completely
divorced from intro and
conclusion. Other things could be
easily spliced in there...
I see in a "cultural" piece
in the back of "the Nation": "Permission to Fail"
Barry Schwabsky
The author seems to be January 21, 2014
standing back and criticising (print edition, February 10, 2014)
art schools for encouraging http://www.thenation.com/article/178023/permission-fail
artists to stand back and be
critical, and the meta attack
is so bleeding obvious why "While most art students may
would it need to be said? never be asked to Method-act a
fully characterized fictional
artist, they are constantly being
asked to divorce themselves from
who they are-- and, concomitantly,
because art is still broadly
(though ambivalently) understood
as having something to do with
vision or visuality, from what
they see."
Perhaps one must plunge in to
the art school experience, and
let it wash over one, without
dull, unromantic questioning.
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