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DAMON_RUNYON
December 21, 2025
https://en.wikipedia.org/w/index.php?title=Damon_Runyon&oldid=2844604
He was best known for his short stories celebrating the world
of Broadway in New York City that grew out of the Prohibition
era. He spun tales of gamblers, petty thieves, actors and
gangsters; few of whom go by "square" names, preferring instead
to be known as "Nathan Detroit", "Big Jule", "Harry the Horse",
"Good Time Charlie", "Dave the Dude", and so on. These stories
were written in a very distinctive vernacular style: a mixture DECADENCE
of formal speech and colorful slang, always in present tense,
and always devoid of contractions.
Here is an example from the story "Tobias the Terrible",
collected in More than Somewhat (1937):
If I have all the tears that are shed on Broadway by guys
in love, I will have enough salt water to start an
opposition ocean to the Atlantic and Pacific, with enough
left over to run the Great Salt Lake out of business. But
I wish to say I never shed any of these tears personally,
because I am never in love, and furthermore, barring a bad
break, I never expect to be in love, for the way I look at
it love is strictly the old phedinkus, and I tell the
little guy as much.
The musical Guys and Dolls and the play Little Miss Marker grew
from his short stories.
I found that Damon Runyon quote and used it
as a style example in the wikipedia page--
I just noticed it's been deleted from the
latest versions, and so I've resucitated
it here, with surrounding text mostly
written by myself, as I remember it.
I contend that this is the *perfect* Damon
Runyon quote, it's short and to the point,
demonstrating the style and *also* the style
of humor, because it's funny on its own as
a standalone quote.
The fact that it's been deleted I
hold up as yet another example of
the problems with wikipedia...
The lastest version of the wikipedia page
suggests that Runyon's style was entirely ARTIFICIAL_SLANG
made-up-- that's a question, I'd say: is it
a *phoney* vernacular, or an exaggeration of Really, either
an extant vernacular? would be
impressive...
The question is to what extent are
Runyon's Broadway stories an authentic
representation of milieu?
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