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EDIFYINGMUSIC
April 10, 1992 - May 31, 1992
Originally an outake
from letters to Ed Brenner
TOADKEEPER
In a letter from the
Toadkeeper, he was going off
on a "has everyone just given A few years later, he
up?" rant, and in passing he became a fanatic Sleater-
asked the question: Kinney fan, which shows
he knew the stuff when
"Why is there no he heard it.
good rock n' roll?"
This was my response:
And as for good rock n' roll: no people haven't
given up. There are a lot of people trying NEOPUNK
different things... Right now, I like X-Tal and Bad
Religion, myself: something like traditional Punk
Rock by some people who believe in lyrics, in songs
that are about something. I also like some
Industrial Music (roughly, a kind of pounding, INDUSTRIAL
noisy, synthesizer created music, that frequently
sounds something like some clanking nineteenth
century machine), though the lack of decent lyrics
limits a lot of what's been done with it.
So, what did you think of the Havering demo tape I
sent you? The Havering was a band put together by HAVERING
some freinds of mine. I thought they were really
good, though they never took it very far, largely
because they were too busy getting degrees in
engineering, medicine and english. They played at
parties at our house a half dozen times and they
were always well recieved: this is a difficult
trick, really, since usually a band that doesn't do
covers of beach boys songs or something impresses
people as being too weird to be listenable. Anyway,
they've broken up now that Jeff is doing his
internship up in Seattle and Yusuf is working for
the European Space Agency in Holland on some sort of
Gravity Probe project. But the fact that bands like
this exist, writing original songs and trying to tap
into some kind of Dionysian spirit and also make
some sort of statement about they way the world is,
when the chances of actually making any money at it
is so slim... I think it means that people haven't
quite given up. There's a lot of energy out there,
though it seems increasingly that the slick world of
CD distribution is designed to insulate people from
it, though I don't quite understand how it is that
this all works, and maybe that's a topic for another
time (the central question though: why do CDs cost
twice what vinly does, when they're production costs
are the same or lower?).
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