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HORSE_SPACE
March 22, 2016
(Posted to the
Charles Stross blog,
antipope.org.)
Okay, back to basics, let's talk about horse opera.
Ann-Marie Hendrickson (on WBAI's now long-gone late-night
anarchist talk show "The Moorish Orthodox Radio Crusade") had
recently discovered Gene Autry films, and was surprised by how
left-wing their central premises were (think: big business
wants railroad right-of-way and hires villains to drive off
farmers). She compared this to the more right-wing style of the
typical John Wayne film, and theorized that one of the reasons
Westerns declined in popularity was that they had lost touch
with their populist roots.
E.E. Smith is more in line with the older tradition,
where in "First Lensman" there are evil corporations
behind the bad guys (and behind them are aliens, but
in the lensmen stories, there are aliens behind
everyone).
The main action at the end of "First
Lensman" involves winning an election
(for North American President, as I Heteromeles@305: "In any case,
remember it, bye-bye Mexico/Canada). if space opera has a strongly
A lensman uses his lens as a campaign romantic streak, one of the
device, persuading voters via challenges in writing the story
telepathic communion, which it is is to make democratic politics
asserted can not be used to lie. The romantic."
bad guys spread the word that the
lens is actually a hypnotism device, http://www.antipope.org/charlie/blog-static/2016/03/towards-a-taxonomy-of-cliches-.html
which actually is not a bad thing to
be afraid of. How would you know
that they're not just brainwashing
everyone?
I throw all this out to any Scottish socialist SF writers in
the audience, who might find some small inspiration here.
"Triplanetary" and "First Lensman" are up on
the gutenberg and librivox sites these days.
And you're not really hip until you see "The
Phantom Empire" (1935), Gene Autry's science
fiction cowboy epic:
https://archive.org/details/phantom_empire_chapter_1
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