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IMPULSE
Tom Nunn, one of the Bay Area's
masters of improvised music, has
written a book on the subject:
_The Wisdom of the Impulse_:
"Ultimately, free improvisation can be
applied to any artistic medium if the
PROCESS is one of on-going association
and self-realization of the artwork.
Real time need not be a factor, the
PROCESS is essentially the same -- to "By simply rearranging the
build on the moment, always heading elements you have at hand,
forward, never retracing steps, to you can create an entirely
realize inherent potentialities. new universe. ...
improvisation goes beyond
"But creativity demands an open mind, mere political and social
open to the possibilities inherent in ideals and becomes living
the medium, the Flow of sound. communication. Sound and
meaning from people for
"Most often, the medium itself whom 'mistakes' provide a
_interacts_ with pre-thought ideas, view into the future rather
themselves simply mental abstractions than discouragement."
yet to be realized or actualized.
When an idea is made concrete in some Gino Robair, liner notes
way, the medium not only expands it, "(Yearbook) Volume 1"
but often changes it. The concrete (1992) Rastascan
artistic 'product' is a reflection of
both."
p. 156
NEWTHINGS
Like many people interested in
improvisation, lately I've
been wondering things, like: "Wind:
Play on.
Is improvisation a goal, There is nor hope
or just a technique? nor mutiny
in you."
If it's a technique,
then what's the goal? Alfred Kreymborg,
"Improvisations"
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