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LEGAL_BLOCK
July 26, 2010
In tracing literary influences,
it's entirely possible to run INFLUENCE
up against a legal block.
In every public statement about
"The Prisoner", it was necessary Similarly, the "Cowboy Bebop"
to deny that the main character creators don't seem to mention
was John Drake or even based on the obvious point that Spike
John Drake, for reasons most fans is Corto Maltese.
don't seem to follow: they didn't
have the rights. (Or maybe they do, but use
a Japanese form of the name?)
It's pretty obvious to anyone who
looks at it that "The Prisoner" is
essentially a sequel to "Secret Agent".
The continual conflicts between
Drake and his superiors, the often
barely concealed contempt, it's all
finally boiled over, and he wants Really what happens
to quit. And now what? is they send you off
with stern warnings
to keep your mouth
shut, and maybe keep
an eye on you.
But... what if you
violate their warnings
and publish a book?!
It doesn't matter much.
The mainstream (of what?)
media will ignore it, if
There is the case of it gets any attention,
John Stockwell, a CIA the usual suspects will
defector (I mean, accuse the source of just
whistle-blower) who's trying to sell books,
writings were subject even the people believe
to prior-restraint in your great revelations
and essentially will feel like it doesn't
censored. have enough independent
confirmation to use in
Serious Debates.
I'm reasonably convinced
the author of "Confessions
of an Economic Hit Man" is
telling it straight, but
if you're not convinced I
don't know how to change
your mind.
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