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MELEE
February 1-16, 2009
Modern scholarship appears to have
solved one of the more pressing
issues of Bohemian history: Allen Churchill suggests
who exactly was Edna St. Vincent that she had a fling with
Millay doing? John Reed, right before
he left the United States
for the last time.
Daniel Mark Epstein, the
author of a new biography
"What Lips My Lips Have Kissed",
had access to her journals,
and now knows all.
Just consulting the review
in the National Review,
one can gleen a few names:
[ref]
"Besides being a writer, however, she was also
a 'figure.' Her allure was captured gloriously
by Edmund Wilson, one of her multitude of sex
partners, in his 1952 book The Shores of
Light. Wilson talked with an old friend about
Edna, or Vincent as her close friends called
her; and 'she told me of seeing her years ago
in Greenwich Village running around the corner
of Macdougal Street, flushed and laughing
'like a nymph,' with her hair swinging. Floyd
Dell, also laughing, pursued her . . . And I
leave this image here at the end to supplement
my firsthand impressions-a glimpse of Edna as
the fleeing and challenging Daphne of her poem
'Figs from Thistles'-from the time when I did
not know her, when she had first come down
from Vassar to the Village.' Wilson had really
loved her; we hear it in this prose. When I
first read these sentences from Wilson in
1952, I sort of loved her spiritedness myself."
"She hit Vassar, in 1913, like a tsunami.
... She was a grand diva who almost brought
Vassar to its knees, breaking rules at will
and attracting a devoted cult following of
young women who joyfully went to bed with
her. She was a heroine to the entire student
body. As soon as she was out of Vassar,
however, she put aside the lesbianism;
consigning girls to the past, she now sought
to dominate men."
The National Review, as one might
expect, looks with disdain on her
promiscuity (she once went to bed
with three men in one day, oh my), Why does no one
insisting it must have required comment on the
"exceptional coldness of heart". "coldness of
heart" of male
sluts like
Neal Cassady?
But their closing
line is cute, and
rings all too true:
"This was an entirely self-regarding
Circe who turned men into swine. She
was not a lesbian; she was a thespian."
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