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CHAOTIC_SOUND
Jan 1, 1996
Rev: Jan 31, 2004
John Cage did a lot of work
with chance. I gather for
two reasons:
To break habits, to Random events taken as
reach something not some sort of cosmic
determined by your message, which can be
usual prejudices. interpreted ala the E-Ching.
A method of overcoming "There are no coincidences,
your ego. only sometimes the pattern
is more obvious."
A method of reaching
something really new. -- Bonzo Dog Band
I've got some sympathy for the
first, and no interest at all
in the second. Unless you take
the cosmic
message to be
the absence of
any cosmic
message.
There's another angle on all this
though, that's come out in these
post-chaos theory times: a lot of
natural beauty is bound up in the
chaotic. Tightly ordered, tightly
structured things tend to be less
interesting to us.
This can be a problem with
music based on artificial
loops: there's a difference
between a muscian trying to
carefully reproduce the LOOPY
same notes over and over
again, and a machine Why *do* we sometimes have
precisely playing the same humans try to imitate
notes over and over again. mechanical precision?
What's the point?
Instead of using
a tape loop of a Advances in technology
sound, you can do frequently undercut
pieces based on fetishes for human
the sound of a skill... PUNK
typical piece of
rotating Or at least force them
machinery to take a different
(washing machine, form.
dryer... ?). Welcome to
"Industrial" COMPOSITION_UNITY_AND_CLUELESSNESS
This is likely to music.
have a little more
variation in it INDUSTRIAL
than a tape loop,
but it can still
sound kind of
dull, because a
typical machine is
designed to be
deterministic, and
hence produces
fairly precisely
the same sound
over and over
again.
But there's no reason that
machinery *has* to be designed
this way, in fact a piece of
machinery that's slightly out The ancient ventilator
of whack often puts out some raps out a funky tattoo.
more interesting sounds, as
the bearings bounce around in
complicated ways the designer
originally tried to minimize.
It is possible to design
things with this in mind,
to produce mechanical
sounds with the same level NECESSITY
of detail as natural
sounds.
One of the early on-the-air
noise performances I engaged
in was the Natural Chaos
special, put together (under
great stress) one holiday season...
This included:
Sweep fans blowing against
wind chimes.
The chaotic xylophone: marbles
rattling around in a sieve,
randomly striking a toy
xylophone.
Popcorn popping.
Alka-seltzer fizzing.
Water sloshing.
((A Random thought: And all too
fractal shapes are obvious, really.
easy to find... what
would a fractal "Fractally inspired
sound be like? Self composition" makes
similar at different people break out in
scales, i.e. at groans in new music
different speeds?)) circles.
Adam and Eve in
the radioactive
gardens of cleveland.
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