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ESSAY_ON_THE_UNDERGROUND
"The Essay on the Underground" was a
long set that I played on the radio
in the mid-90s. I was attacking the
concept of the TAZ which was popular
back then, at least in some circles.
The concept TAZ ("Temporary Autonomous
Zone") was introduced by Hakim Bey (aka
Peter Lamborn Wilson). I've always
assumed that "TAZ" was a generalization of
the "rave": a brief moment when a period
of freedom can exist in a certain place,
before the authorities step in to shut it
down.
Hakim Bey rants ecstatically
about seizing what freedom
can exist in the cracks in But look again: isn't
the structure. it a very bleak,
better-than-nothing
solution?
Wouldn't it be better if you
could change the structure,
create a world where real
freedom exists?
The TAZ is the enemy
of the Revolution.
In later writings,
("Immediatism") Bey/Wilson
"The Underground" once called up tentatively creeps back to
images of the Free French the idea of revolution
resisting tyranny, fighting to
over-throw it. In hipster
paralance, "underground" seemed
intended to be a permanent
condition. A way of life.
At the moment I'm not sure what I played
in this set... in lieu of the playlist,
here's what I remember:
Lead:
"Poetic Terrorism" on the Hakim Bey cd (with music by Bill Laswell)
In the middle things like:
"Subway Culture" by the local punk band Cone of Silence.
And at the close:
"Niggers are Scared of Revolution" by the Last Poets.
But there's an appeal of the TAZ:
you don't *need* to "win".
You can live a life worth
living, in whatever world
exists.
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