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===                 
                                         Mon Jan 19 15:10:45 2004
Theory by all means,  
but practice first. 

===

Lower back pains?
Use Lesbigay!


(Keywords that
 double as
 Pomo Poems!)



Sweat & thundering               The first block or two here
industrial noise;                is not so bad.  Move it back up
and the silence                  top, with a goto... to what?
    of snowy spaces...           the plan?
                                 The old "triad"?
Truth over beauty,
intellect over passion,
freedom over security--

Still...
A beauty in the cold truth,
A passion for the intellect,
And freedom is the only security.

Contempt for the mundane,
A refusal to conform,
even to the non-conformists.


         The constellation
         of my interests
         and ideas also
         can repel other
         kinds of women.

- - - - - -

fate vt  fated; fating
(1601)
:DESTINE; also: DOOM (the deep antipathy...seeming to fate
them to antagonism - Les Savage)

fated adj
(1715)
:decreed, controlled, or marked by fate

- - - - - - - -

Virtue may not be it's own reward.
But vice is usually it's own punishment.




"Hobbes is REAL and IS ALIVE!!!!!"
       --- timothy.j.burke


--------

"You are trapped in that bright moment when you learned your doom."
      --- Vol Nonik, in Delany's _Fall of the Towers_
           Courtesy of djdaneh@pbhyc.pacbell.com (Dan'l DanehyOakes)

--------


"The exhortation to the older Saxon term is a new version of
an older rule: the exhortation to the Greek before the
Latin.  But why might one prefer the Greek "rhapsode" to the
Latin "delirium"?  Delirium speaks only of derangement, in
deference to the enthusiasm and the ecstasy that still
inheres in it.  It is not as Gaimon's Prince of Dreams
would sometimes have us believe: that Delirium was once
Delight.  Rather, Delirium was once madness -- and is now
Delight."                             
                  Samuel R. Delany,   
                 _Silent Interviews_, 
                 "Introduction: Reading the Written Interview"
                                      

(That spelling of Gaiman's name is Delany's, 
not mine, and conventionally I'm supposed to 
interject a rather rude [sic] there, though   
I really wish I was allowed to just fix it 
without being accused of re-writing history 
or something.)
              

------



  You do know about
  libertarians, right?  If you
  don't, try to search (^S) for
  LIBERTY (and don't forget the
  caps).



And hide my contempt
of someone with a
standard-issue mind
that goes group thinking along...


===



                                                         H To Woe


                                                         98 percent


                                                         ((
                                                         Humanity in a
                                                         Bottle
                                                           ???))


===

Excised from intro to
  UNINTENDED
   
    Traps of virtual
    solipsism exist 
    even in the non-
    virtual world.  
              
Too murky without having read the letter from 
Ed where he talks about "traps of virtual 
solipsism", e.g. Gibson's "Count Zero".

     (in conversation, he argues 
      that this stuff is more like 
      masturbation than using drugs, 
      though I don't quite get why 
      one metaphor is better than 
      the other... I'm inclined to 
      think of VR as drugs, myself.)


  There's also the point that 
  virtual is not exactly a 
  synonym for the unreal. 

     Gibson's cyberspace is an 
     alternative way of  
     interacting with the real, 
     not necessarily a retreat 
     from it. 
 
         So what's the non-virtual world 
         exactly?  Not just the non-VR 
         world, right...  

                Relating to the world 
                as a mass of abstractions 
                is not the exclusive 
                province of the computer user. 


===
   
Outtake from SATANS_PLACE
(redundant, I think):

You can tell a story
about a character's 
confusion, and      
ideally you'll tell 
it from inside that 
character's point of
view, but ultimately
the confusion itself
should become       
comprehensible.     

=== 

Outtake from IRONTHORN, second half 
of an H.G. Wells quote:

"When men and  
women are unlimited and  
unrestrained, the        
evidence of history shows
clearly that they are all
liable to become monsters
of self-indulgence; when,
on the other hand, they  
are driven and unhappy,  
then their impulse is    
towards immoderate       
tragical resorts, toward 
wild revolts or towards  
the austerities and      
intensities of religion."


Possibly that can/should be spliced in with 
UNINTENDED or CONSTRAINED in some way.
                                  


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