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Ted Morgan's book "Literary Outlaw" is ostensibly
a biography of William Burroughs, but Burroughs being
the elder of the Beat circle, it actually seems
like a good document of the entire scene.
He's got a little on Joan Vollmer, evidentally largely
from Edie Parker interviews:
Edie reflected; she spoke, walked, dressed and
read slowly, as if savoring every moment. She
read everything, every newspaper and magazine.
In _The New Yorker_, she liked the cartoons of
William Steig, particularly the one of the
dejected fellow saying, "My mother loved me but
she died."
Edie thought Joan was the most intelligent girl
she had ever met. She had an independent mind,
always questioning what anyone said, including
her teachers at Barnard. In one of her marginal
notes in her copy of Marx's _Capital and Other Or perhaps
Writings_, there are echoes of Burroughs' echoes of
thinking: "Maybe Marxism is dynamic and Vollmer in
optimistic, and Freudianism is not. Is one more Burroughs?
serviceable than the other? Why does it always
have to be either/or?"
Joan's idea of a good time was to go to Child's
at 110th Street and Broadway and sip _kummel_
and have deep conversations about Plato and Kant
while listening to classical music. Or she
would spend the entire morning in the bathtub,
with bubble-bath up to her chin, reading
Proust. If you wanted to talk to her you had to
do it in the bathroom.
... She also helped him with his term papers,
writing one for his course on Dryden and the
eighteenth century in the manner of a Dryden
poem, which the professor Joseph Wood Krutch,
liked well enough to give him an "A." His
papers were in fact so brilliant that Kingsland
worried that his teachers would get suspicious.
p 93-94
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