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PLAYING_DJ

                                         October, 1994

I used to make "mix tapes".

First, I went for juxtaposition of
different kinds of music, trying to
shock with contrasts.

Very quickly, this seemed like an
easy, cheap trick.
                                            Back then, I also believed in
I started working on smooth transitions,    treating the music with
getting different pieces of music to        respect, leaving a noticeable
flow together.                              gap of silence between the
                                            cuts.  Very "loose" segues.

I got into the idea of creating
tapes for other people to
listen to, tapes that would                      I also started playing
provide structure to a party,                    with simple structures.
or a dinner gathering.  			 e.g. a "then and now" 
		    				 tape, alternating between 
These rarely worked out very well.		 punk that was ten years 
It's exeedingly difficult to 			 old, and punk that was 
predict the mood of a crowd of 			 current. 
people days in advance, and work 
out an appropriate sequence of                      or a "tricycle" 
music. 						    tape, alternating 
       						    between the works
Once I was asked to spin                            of three artists. 
records at a party (using 
one turntable and someone 
else's records).  I found it 
a very frustrating experience. 
Some of the records in the stack
were cool by me (e.g. the 
Replacements) and it looked like  
a cool crowd at the party,             This was heavily dominated by 
but it turned out that they 	       the "international" crowd at 
wanted to dance to stuff like 	       Stanford.  Musical fashions   
Michael Jackson.		       travel slower than fashions in 
				       dress?

I have a lot of respect for                      		     
dance music DJs.  What they do 
is not at all easy.  They have 
to keep an eye on the crowd at 
all times, and constantly come 
up with compromises between 
they're own taste and the people 
who are voting with their feet.
		    
College radio DJs (at a place 
like KZSU at least) have the 
great luxury of self-indulgence.
You're working in almost complete
isolation (yes, some people call
up, but the people who call 
radio stations are hardly 
representative of the whole audience).     
					   
There's little choice but to steer         
by your own lights, and hope		   
that someone out there appreciates 
what you're doing.	    

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