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VIETNAMESE_MUSIC
December 11, 2005
If you know nothing of
Vietnamese music, read If you know something
on. about it, proceed for
laughs only.
First, three key facts about
Viet Nam:
(1) The vietnamese spoken
language is "tonal", as many
asian languages are, but has
even more tones to it than
usual.
(2) The country Viet Nam has been
occupied/influenced by many other
countries, even before it was used And further, there are
as a chessboard by the US and "red" substantial
China. E.g. it was a French colony Vietnamese-American
for a long time. communities, e.g.
Westminster in Socal,
(3) When we talk about vietnamese and a lot of the
culture, we usually mean the dominant music I hear comes
culture in the coastal region, but from record labels
there are also a diverse range of down there.
"hill tribes" with odd musical
characteristics of their own.
So, there are many different things you
might mean when talking about "vietnamese
music".
I think most of us regard the "hill tribes"
as off on their own, completely isolated, It would be
with no effect on the main culture: so very interesting
they're a separate subject. to be proven
wrong about
that, though.
That said, the way I think about
vietnamese music is to arrange it
on an axis of increasing western There's also a
influence: "traditional" to "pop". geographic axis: as
you go north there
is increasing
I like Vietnamese music chinese influence.
quite a bit. It's not
easy to say much about By fiat, I tend to
why a music appeals, ignore this: if it
but I strongly suspect sounds "chinese"
that in this case it it's chinese music,
has a lot to do with and outside the
the rich range of boundary of this
tonality: it's discussion.
difficult to sing a
boring melodic line in
Vietnamese, just
because of the nature
of the language.
I think you can see the influence
of the language on the design of the
traditional instruments -- many of
which are completly unique to my
knowledge.
For example:
There's a stringed instrument with
a tensioning string goes from the
lower bridge to a piece held in the
mouth: you shape the tone of the
instrument by changing your mouth's This is a little like
resonance (as with a mouth harp), a violin but it's held
and you can put a flutter on top of horizontally at around
the sound by changing the tension waist height, with
(as with a wah-wah peddle). base against your
body, and neck pointed
away from you.
So the traditional music is
pretty interesting, but my ETHNICALLY_AUTHENTIC
interest isn't limited to that.
I find that I often like
the forms with strong
influences of Western Pop.
A lot of the female vocal
pieces bear a strong
resemblence to "torch
singing". I have the EXO
impression that Vietnamese
singing style owes a lot
to the French colonial
period.
But I've seen some live performances
from the younger generation of
Vietnamese-Americans that don't
impress me: it would be nice to
to think that there's a Vietnamese
rapper out there creating a
break through in hip-hop and
about to appear on the cover of
Giant Robot any day now... but
the guys I've seen in action are
just Backstreet wannabees.
And then there's Trish,
a two-bit version of Britney
(which makes her worth more
than the "original", but
still not much).
So as far as my own tastes go,
perhaps there's a balance point
that I like on the tradition-
modernity axis?
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