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PERFECT_DAYS
March 22, 2024
"Perfect Days" isn't quite a Perfect Movie--
but it's pretty close. My first reaction: not up to
the level of Wim Wenders in
The texture of life of this guy who works his his prime. But then, I keep
blue collar job, enjoys trees, visits the *thinking* about it, this
osento, chats with a bar hostess/ownder-- movie isn't leaving my head
almost the only person he voluntarily talks any time soon.
to-- is all quite well done, but it's also
fairly straight-forward, fairly slow
according to the now-standard "slice of life"
genre...
I could pile on the quibbles:
I realize a lot of people loved the closing
scene, but for me that long play of
alternating expressions of happiness and
sadness would've been stronger if it were a
little shorter and more subtle-- I liked the
first moment when a tiny touch of sadness
broke through his smile. One or two little
touches like that would've gotten it across
nicely.
I thought the dream sequence montages were
good, but after awhile they seemed Dangerbaby reminds
implausibly one note. He never dreams of there is this one:
any of the women? the eye of the asian
blond woman who
kissed him on the
cheek.
A second viewing
is probably in
order...
But then, there are a lot of little bits that
are pretty brilliant... the woman wiping her
kids hand, the shadow tag...
I like the back story of this movie:
a company that had done some slick
architectural remodeling of a dozen
or so public toilets in Tokyo was
trying to hire Wenders to do a short
film about it--
He instead proposed a feature-length
film, and started selling them on the
character he had in mind...
Because no matter how
slick the architecture,
there are human beings
scrambling around Call it product placement if you
maintaining them, a want-- or some rich guys
sub-class ignored by deploying a sanitation man for
the many. their reputation-- but myself, I
think this is a nice example of
taking the money but tweaking the
boss's nose.
And featuring music
by Patti Smith and
Lou Reed is an easy
way to wind me over.
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