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PHAEDRUS
January 2003
April 05, 2007
On Plato's "Phaedrus"
Socrates asserts
that what you're And why do
drawn to in your standards
lover's beauty, of beauty We blind men must
is an echo of the differ and be feeling up
divine, change? different organs
of our elephant gods.
The dialog veers off
into criticism of
rhetoric, whose rules
of form (obsession with
beauty?) are deemed
useless without a core
of truth.
So the poetic flair displayed
by the rhetorician produces a Socrates makes a speech that
beauty which is *not* an echo they agree is beautifully done
of the divine? (inspired), but which he later
claims is full of shit.
Or are we supposed to take
this as a delusion? It is
not *really* beauty, we
just think we like it. No beauty
without truth.
In which case the
enthusiasm shown by
the character Phaedrus
for the speech by
Lysias must be Are there any other
discounted as some sorts of false love?
sort of false love.
Could it be that a
lover's madness is
sometimes less than
divine?
If there's anything to
take away from Plato,
maybe it's a warning And maybe that's what Pirsig was
against repeating the doing, come to think of it.
same old mistakes.
He was making the case for
Absolute standards the excellence of excellence,
of beauty? the beauty of rhetoric.
The mind-body No truth without beauty.
dichotomy?
Beware.
Why did Pirsig
choose "Phaedrus"
as a handle?
Plato's Phaedrus
rapidly dissolves
into an obsequious
yes-man.
Perhaps it's Phaedrus's
fondness for the idea
of a cold, practical lust.
Phaedrus is he who
feigns dispassion but
acts on desire.
PHAEDRUS_OF_EMERSON
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