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SHADOW_OF_EIGHT_OUT_OF_MIND
August 21, 2011
October 3, 2013
"A Quarter of Eight" (1945)
Margot Lane is not on stage in this one.
It dawned on me eventually that the Shadow's
"eyes" were missing: no Harry Vincent, etc. On stage:
Shrevy
But there is one late mention of Rutledge Mann
"the Shadow's spies", and then Joe Cardona
Hawkeye appears on stage.
Though it's not as
though they have any
stage presence...
As usual, there's no mention of a "power to they're just familiar
cloud men's minds", but then, a casual names that perform
reader might think it's in play: the Shadow minor plot functions.
"fades into darkness" (or somesuch phrase):
fence-stradling a contentious point?
Walter Gibson was in with the
"magic" crowd, the hyper-rational
illusionists and debunkers, who You can see this immediately in
tended to look down on mysticism the next of the shadow novels
and spiritualism as the playground "Crime out of Mind" (1946).
of con-artists.
SHADOW_OUT_OF_MIND
Lester Dent later complained about
how his Doc Savage had inspired
the craze for super-powered heroes.
They were immensely silly, in his
opinion, which makes you wonder
how he thought his Doc Savage work
should be read.
The next shadow novel,
"Crime out of Mind" (1946):
This is about a phoney nightclub
psychic, with every-other character
having an interest in stage magic--
There are more of the miscellanious
henchmen are around, including Harry
Vincent.
In this one, it's flat out stated that Kent
Allard is the real identity of the Shadow,
though the Shadow starts prowling around on This kind of thing looks
stage as Allard without any apparent need to me like Gibson of the
to hide this identity. pulps fighting for his version
of the Shadow, against the
He's *repeatedly* abandoned this hugely popular radio series...
Allard identity, e.g. by faking Foolhardy.
his death. You might think he'd
be concerned about this. And it's not like his
own vision is all that
wonderful... but then,
I can see wanting to
strike a blow against
"spiritualism".
If that seems nutty,
it's because we don't
take these stories that
seriously. One can read
about vampires without
believing in vampires.
Then in the following story, 'Banshee",
Margot Lane returns. She knows
Cranston. Does she know he's the
Shadow? In the first few encounters This is another story
it's ambiguous. with a phoney medium theme
This is clearly written by Gibson, it
has his unique command of English:
A "blinky light"; A "stoopish" figure...
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