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THE_CRUDE_VIRTUOSO
July 17, 2013
In the early 70s, I was watching Rock
n' Roll be displaced by increasingly
slick, heavily-produced mimicry, and I
was ready for the punk revolution, the A particular peeve of mine
elevation of crude passion over was symphonic strings
technical proficiency. slapped over the guitars
and drums.
I had a sense that
being a trained A cartoon version
muscian was dangerous, of this story is
potentially that it was punk
counterproductive. But that's an vs progressive
You could get lost in exaggeration of rock-- but actually
precision, you could what I really felt: progressive rock
get corrupted by I learned early on was dying long
convention. Far that the rough before punk: punk
better the clumsy sound of punk was more of an
stumbling of the punk records could be a anti-disco revolution.
novice... producer-manufactured Torn T-shirts
illusion. rather than
pristine white
suits.
In my later "work" in noise
performance, I would intentionally
avoid designing an instrument
tuned to any particular scale--
The hope was (and is?) that
by picking up random pieces
of scrap metal and using them
in sound art, that this would
push you into new, unfamiliar UNINTENDED
territory, it would make it
impossible to do something
trite.
Then I began paying attention
to the "bay area improv scene",
and I found a community of
musicians, most of them highly
trained and very capable,
who were nevertheless not
at all trapped by that training.
They easily stepped outside the
bonds of convention at will.
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