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WORDS_OVER_THE_CRACKS
April 13, 2018
Attention conservation: one of the easiest
things to do in English is express a causual
relationship, but this can lead to expressions
with a false clarity.
I occasionally find myself all-too-aware of
an issue with using words-- specifically, in
my case, English words-- as a medium of
thought.
I want to say something. I think I can draw a
connection between concept A and B, and use A case in point,
that to clarify a particular question. not that I expect
it to make sense
I start explaining the concepts-- which may to anyone but me:
actually be pretty familiar, but I need to at
least make it clear what I'm referring to-- and WORST_ARE_FILLED
in the process, it may occur to me that the
concepts are actually fairly vauge, in spite of (You need to have
being familiar, e.g. perhaps my concept B is seen the process I
better handled as two concepts, and I'd be went through trying
better off breaking it up into a smaller concept to write it.)
"b" and a concept C--
And now a few years,
Now, maybe I know *what* I'm talking about, later, I don't remember
but what *exactly* do I want to say? the process at all.
Am I tracing a chain of causality, from
A->b->C? Could it be that the actual A guess: it's about a
causality runs in the reverse direction, phenomena where
or even a different order? internet discussions
groups and ideological
Perhaps it's better to present them as bubbles reinforce each
three points that are associated, other, but I was trying
without specifying a chain of causality to avoid saying
or any other sort of dependency? something simpleminded
like "the internet
Maybe it's a self-reinforcing knot? causes polarization".
A set of conincidental circumstances?
The reason I'm indulging in this extended and
excessively general discourse about logical
possibilities is that a causual chain is by far
the easiest thing to express in conventional
English prose:
"*This* results from THAT because of *that other thing*."
But once you have something like that, to keep
from over-reaching and making assertions about
things you can't possibly know, your next
impulse may be to hedge, to trick out the
exposition something like:
"*This* may very well result from THAT, and it
could be argued it's because of *that other thing*."
Any even half-way competent writer can't help but
fall into such habits-- but they run the risk of
saying something just because it's easy, rather
than because it's necessarily correct... and it
may (certainly in my case) obscure the process of
thought that led to making the statement.
With me, it may run something like: I'm interested
in point A and point B and I have a tenuous sense
there's some connection between them, so I start
talking about A and then B and then I start trying
on different possible connections between them-- I
might just pick one and present it first, then
treat it as the cause of the other, if only to keep
the prose from looking disjointed, to fufill the
reader's expectations, to provide an immediate
answer to the question "but what is he saying?"
It could be that it's better to use the loosest
possible bit of verbal wallpaper to cover the
joints, to avoid making premature commitments--
"Let us now consider point B in the light of point A."
"Point A and Point B may be related in some fashion."
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