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OTAKU_BASE
April 29, 2012
Re-start: May 7, 2012
"Oatku Japan's Database Animals" (2001)
by Hiroki Azuma
OTAKU_WAY
English translation:
Jonathan E. Abel & Shion Kono
As befits a "postmodern" analysis, the
terminology doesn't really make much
sense, but while "your brain is a
computer" has become a dull cliche,
"your culture is a database" is a But then there's the other
new one on me, and Azuma deserves puzzle of Azuma's title:
credit for this alone. "Animal"?
The wonky diagrams explaining OTAKU_ANIMAL
the terminology are pretty
funny as well.
He begins with the idea is that there
are many small narratives visible to
any individual, but that they have an
invisible structure underneath them.
Back in the good old "modern" world,
there was supposedly a single underlying Azuma calls this the modern
"grand narrative" beneath them all. world with a central grand
narrative a "tree view", and he
But now, here in the postmodern world, doesn't say so, but I gather
world that many-to-one relationship that the idea is that there's
breaks down into a many-to-many. one central trunk that all the
smaller narratives branch off
He calls this the database view, from.
where in place of one grand
narrative, the many small visible
narratives map to a series of
slots that Azumi thinks of as Which I would call a collection
entries in a database. of familiar tropes, and perhaps
"genre conventions".
The particular
case that Azumi
is interested in
is the otaku
sub-culture, and
the database of This restriction does
moe elements. not seem implicit in
the model.
TROPISM
I gather from his exposition,
that this insight was inspired
by an actual on-line database, NOUNIFICATION
a Japanese website created in
1996: tinami.com
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