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CHINATOWN_BLINDFOLDED
July 22, 2015
A version of this was
published here:
http://www.dailykos.com/stories/2015/07/26/1405780/-Chinatown-Tour
That "sinister, evil and mysterious Chinese of one-time
popular imagination" that Burke refers to has many CHINESE_RED
examples in popular fiction--
I found a relatively early one recently
in the novel "Blindfolded" from 1907,
written by Earle Ashley Walcott, and set It must've been written before
in pre-Earthquake San Francisco and it's the 1906 quake and been published
environs. just afterwards. One wonders how
Walcott felt about his setting
suddenly becoming dated.
NILES
"Blindfolded" is available on-line at the gutenberg project site:
https://archive.org/details/blindfolded07788gut
and there's also a librivox audio version:
https://archive.org/details/blindfolded_1002_librivox
At one point in the story, the main characters all
go off slumming on a tour of-- Chinatown!
'Oh, isn't it sweet! So charming!' cried Mrs. Bowser, as we
came into full view of the scene and crossed the invisible
line that carries one from modern San Francisco into the
ancient oriental city, instinct with foreign life, that goes
by the name of Chinatown. Sordid and foul as it appears by
daylight, there was a charm and romance to it under the
lantern-lights that softened the darkness. Windows and doors
were illuminated. Brown, flat-nosed men in loose clothing
gathered in groups and discussed their affairs in a strange
singsong tongue and high-pitched voices. Here, was the sound
of the picking of the Chinese banjo-fiddle; there, we heard a
cracked voice singing a melancholy song in the confusion of
minor keys that may pass for music among the brown men; there,
again, a gong with tin-pan accompaniment assisted to reconcile
the Chinese to the long intervals between holidays. Crowds
hurried along the streets, loitered at corners, gathered about
points of interest, but it seemed as though it was all one man
repeated over and over.
'Why, they're all alike!' exclaimed Mrs. Bowser. 'How do they
ever tell each other apart?'
Things suddenly turn sinister and hero and heroine find
themselves isolated, trapped in the rats-warren of
Chinatown, fighting off an evil yellow horde, evidentally
hired by some mysterious agency:
The rest of his sentence was lost in a suppressed scream
from Luella. I turned and darted before her, just in time
to face three Chinese ruffians who were hastening down the
passage. The nearest of the trio, a tall dark savage with a
deep scar across his cheek, was just reaching out his hand
to seize Luella when I sprang forward and planted a blow
square upon his chin. He fell back heavily, lifted almost
off his feet by my impact, and lay like a log on the floor.
The other two ruffians halted irresolute for an instant,
and I drew my revolver. In the faint light of the passage I
could scarcely see their villainous faces. The countenance
of the coolie is not expressive at best, but I could feel,
rather than see, the stolid rascality of their
appearance. Their wish seemed to be to take me alive if
possible. After a moment of hesitation there was a muttered
exclamation and one of the desperadoes drew his hand from
his blouse.
'Oh!' cried Luella. 'He's got a knife!'
Before he could make another movement I fired once, twice,
three times. [...]
'Have you killed them?' she asked quietly.
'I hope so,' I replied [...]
CHINATOWN
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