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DRY_FLESH
May 21, 2010
The DVD for Paul Morrisey's Andy Warhol's
"Flesh" (1968) comes with an additional
disk of commentary from around 2006.
Evidentally, in making the series of three
movies "Flesh", "Trash" and "Heat", Morrisey was
after two, *apparently* contradictory things.
One: he believed in glamour, in beauty. He
didn't think that in the name of "realism"
you should use conventional-looking actors.
Two: he disliked the contrived dramatics
of conventional stories about things like
sex and drugs.
He felt that they'd gone through
"whatever your thing is, do it"
to the point where nothing
really mattered all that much.
Nothing was shocking, Compare to "Chasing
everything was accepted, Amy" where everyone
and hence any extreme has excessively
behavior is just shrugged rigid attitudes to
off by all the characters provide excuses for
in the story. shrill emotion.
There's a scene where Candy Darling
and another transvestite (Jackie
Curtis, I think), are sitting next
to each other reading demented The moral of
beauty tips aloud from a crumbling this story, I
1940s "Hollywood" pulp-- while think:
standing in front of them, (but
facing away from the camera) Joe Realism vs.
Dallesandro is getting a blowjob, romanticism
from someone we haven't seen yet. isn't a simple
continuum.
They don't think it's particularly
remarkable or funny that someone is There isn't one dial
having sex in front of them, though you twist to adjust
they don't ignore it either: they the quantity of The
gradually begin making deadpan Real.
ironic jokes ("Don't you know the
angels are watching you?"). Rather there are
multiple different
decisions you can
make about what
will be idealized.
Different aspects
of reality can be
reflected or refracted...
METHOD_OF_LIGHT
TOON_DIAL
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