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GHOST_IDENTITY
April 7, 2022
It was interesting seeing the review of
the Scarlet Johannsson "Ghost in the [link]
Shell" that she wrote *after* actually
seeing it (she's happy to review trailers WHITEGHOST
for upcoming movies-- kids these days).
GHOST_QUEEN
She mentioned but didn't bother to
comment on the "whitewashing" business
(which she covered before), and instead "I don't understand. What is the
ranted about what they'd done to the point of making a Ghost in the
philosophical premise of the story, Shell film if you only create the
which for her has to do with overcoming shell and not put the ghost in!?"
the attachment to your individuality:
At the close of the original anime film,
the major intentionally merges with the
puppetmaster, which Alachia sees as
giving up on being herself for the sake
of something greater.
Her point is that the ScarJo Ghost completely
flips this around, and makes it a story about Alachia compares
the Major finding herself and preserving her that to a Disney
identity. film finish,
complaining that
That's an interesting issue to fixate the "eastern"
on, I think. I'm not sure why it never philosophy in the
seemed terribly central to me-- in part, original was just
I would guess it was because it's hardly dropped.
the first time I encountered something
like this: half of Sturgeon's major
works touch on things like this.
That material in the original Ghost in
the Shell anime film was okay by me,
but it struck me as being a little I know the *sort* of thing
prefunctory. There's a line about how Alachia is talking about
the ghosts have merged, and the Major though: I can remember
is no longer exactly the major-- but reading Asimov's Foundation
what that's supposed to mean, what the and being thrown by the
implications of it are, and why the premise that the predicted
Major would've decided to do that... collapse could *not* be
there's not much there, as I remember it. averted-- the Foundation was
just going to let it happen
and try to assist in the
recovery afterwards.
There are common romantic
conventions in genre fiction
that we get used to, and
The "Mother's Basement" reviewer fingers *any* deviation from them
the same issue as Alachia, commenting can seem very dtrange.
that the original depicted
"transhumanism and the loss of self as
not being inherently negative"
[link]
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