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HOW_SOFT_A_WHISPER
January 17, 2007
One of the funnier things I've run into
in some time is the new concept being I came across this only
pushed by the literary theorist Franco recently, in a book
Moretti. Instead of "Close Reading", review in _The Nation_ by
he champions "Distant Reading". one of his colleagues,
William Deresiewicz.
This is Moretti's attempt at putting
literary criticism-- or at least, [ref]
literary history-- on something like
an empirical, scientific basis...
What's funny is that And perhaps another member of
everyone seems to that grand club of mildly
find Moretti's ideas deranged characters (such as
kind of funny -- no myself) who insist on looking
one is persuaded that for the great, lost, land bridge
he's really correct, between the two cultures.
but everyone takes it
easy on him. BIBLES
Web searches on the subject
turned up a surprising I'm a fan of Cosma Shalizi, a man
Cosma Shalizi connection... with a scientific background who
neverthless engages in much "popular"
Shalizi's review of writing in the humanities fields.
Moretti's "Atlas"
treats it with a SHALIZI
certain affectionate, Though you have to
amused contempt. wonder about that
project he's been
(Literary professors are working on for
so *cute* when they try years, putting his
to do statistics!) notes on every
subject imaginable
Moretti responded out on the web.
by inviting Shalizi
to one of his Strange fellow.
conferences...
[ref]
A sing the beast to
sleep manuever?
Moretti does seem
to have a talent
for making friends.
But on the other hand, it is
not at all a bad idea for
Moretti to get someone with
a mathematical bent to teach
him something about
statistical significance.
[ref]
[ref]
If the quotations of Moretti
I've seen are any guide, the
man is over-reaching tremendously
with his campaigning for "distant
reading", but there's no reason
that researchers should not take By stepping back, you can
that approach -- it's a little cover more ground.
peculiar if they don't already.
FIRST13
Though obviously, also, there
are limits to what you can get
out of such things. Let's graph the
frequency of publication
of post-nuclear apocalypse
stories!
Hypothesis: they'll ramp
Consider the usual approach: up quickly after 1945,
close reading of the and peak around ten years
canonized heroes. later, gradually trailing
off for the next two
Who's the best? The big S. decades, when suddenly
So, you sit down and read they stop.
"Hamlet".
And what would
But who were Shakespere's this study tell
competitors? us exactly?
How many Elizabethean playwrites If it turned out that
were there, how many plays? the hypothesis was
off slightly, what
And... isn't "Hamlet" a genre would *that* say?
work, a revenge play? How many
revenge plays were there? "Oh my god, there's
almost a complete
When did the form start? drop in post-apocalypse
stories in the
What were the genre tropes? early 70s! And then
after the movie
"Omega Man" they
It would be very surprising if started up again."
these kinds of questions weren't
answerable by Shakesperean scholars... Yes, that would
but it's also clear that it's not be fascinating...
the way Shakespere is taught at
the introductory level.
And if you begin expanding your
range of interest away from the
well-studied Elizabethean
terrain, do you find that other
similar questions have known
answers?
It would seem
to make sense to
engage in both
distant reading TWO_LEVEL
and close reading.
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