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LONG_SHADOW
August 30, 2005
I've been meaning to write something about
the wide influence of the Shadow...
For example, on Jack Kerouac.
The Beats, for all their reputation as
hedonistic barbarians, had a pretentious
intellectual streak, and they only very
rarely let on that they cared about any
low-brow popular art.
But in places, Kerouac lets it show There's a bit
that he grew up on The Shadow. SUBTERRA in the "Dharma
Bums" where
"Dr. Sax" is a collection he mentions
of childhood fantasies "going back to
involving a figure much my Western
like the Shadow. magazines".
I know what kind of
I have a theory (two theories, magazine he's
really) that the Shadow was a talking about --
powerful influence on Kerouac. though I doubt many
readers these days
Theory the First: the do -- and they were
Shadow pointed the way pure pulp, complete
to the wisdom of The East: with garish cover
paintings.
ZEN_FLESH
Presumably he didn't
Second theory: just find a stash of
them, he took the
Kerouac famously became an trouble to lug them
advocate of the importance up on top of the
of writing "spontaneously", mountain: he calls
avoiding the process of them *my* Western
revisions... magazines.
The pulp writers had long
ago adopted the same
principles out of economic
necessity, surviving the
depression cranking out
penny-a-word prose.
Part of the legend of Walter
Gibson (aka Maxwell Grant) is
that he worked furiously, needing
to keep a spare typewriter If Kerouac knew
available because he wore them about this, I
out so frequently. think it likely In one of
it planted a seed. Kerouac's
writings
*about*
Beatness,
Kerouac could work he cites
"spontaneously" because he the Shadow
stuck to autobiography, as some sort
albeit an autobiography of influence.
censored on-the-fly KEROUAC_GORED
(e.g. with little mention Something
of anyone else's homosexual about the
activities, and absolutely appeal of the
none of his own). underworld,
the underground?
In contrast, the pulp writers
could work this way because they
relied on formula. They were
filling in the blanks of an ANASTRUCTING
outline, invoking archetype to
enliven the story. And relying on
the reader's familiarity to cover
any gaps in the writing.
Not the sort of work
that gets much respect
from the academic world, (And at their
but at their best worst, well...)
they hit on a strange
prose poetry...
LIGHT_OF_SHADOW
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