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MUSIC_OF_EMPIRE
July 11, 2013
In the 70s, back when music still mattered,
I caught a number of interesting acts in
some strange venues, such as the
"local" SF conventions in NY:
Lunacon
Empiricon Though not, as I remember
it at Apricon, the small
one-day at Columbia University.
"The Workers": A genuinely excellent
punk band with a literary edge to
their lyrics which they put over
with some heavy strum and dang:
"Strike, strike, the Master Chord!" It turns out that's
a reference to something
else. Crowley?
A band with some very slick female
vocals and, as I remember it now, a
sound something like later Dead Can I remember taking note of their name,
Dance. and saw them on this circuit more than
once, but can't come up with it now.
I remember one male folk singer doing
a very striking song, perhaps the only
"satantist" anthem that seemed serious
and might have been sincere (most such
things are jokes intended to wind-up
the usual suspects):
"When He said 'let there be light',
it was *I* who replied!"
"Don't call me Satan, don't call me snake/
I brought the light to the skies."
Then there was this other male folk
singer, with a pretty funny act...
He did a rousing, completely insane song
about "The mad professor bligh" who
"proved that sheep dogs can't fly." then
he followed it up with a change of pace,
a maudlin song about a lost love, who A friend of mine pointed
died suddenly... which closes on the out that there was a Joke
line "Oh lord, sheep dogs falling from like this-- meaning the
the sky, what does it mean?" folk genre of the
joke-told-in-conversation--
where the schtick is you
tell a series of jokes, and
in one someone throws a
The humor here is a humor brick up in the air which
of context violation, seems to disappear, but in
crossing a border that was the *next* joke, the brick
assumed to be impermeable, suddenly lands.
forcing two apparently
separate things to become
one thing.
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