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NOWHERE_WARNINGS
October 30, 2001
From "The Geography of
Nowhere" (1993) by James
Howard Kunstler, concerning
J.B. Jackson's approach to NOWHERE_MAN
architecture:
"Thus, a Jacksonian student of landscape can
observe a Red Barn hamburger joint, he can
remark on its architectural resemblance to
certain farm structures of the past, measure
its dimensions, figure out the material that
went into building it, record the square
footage of its parking lot, count the number
of cars that come and go, the length of time
that each customer lingers inside, the
average sum spent on a meal, the temperature
of the iceberg lettuce in its bin in the
salad bar -- all down to the last
infinitesimal detail -- and never arrive at
the conclusion that the Red Barn is an
ignoble piece of shit that degrades the
community."
p 123-124
So, to Kunstler's credit he's
willing to cut to the chase,
to get down to the heart of
the matter, without getting
bogged down in the details.
But it's also possible
that he's revealing a
contempt for facts.
Throughout the work, some of his points
are supported by facts, others are Not at all
supported just by bluster. an unusual
syndrome.
Even though I do tend to agree
with most (if not quite all) of
Kunstler's points, this
proof-by-assertion syndrome is
one of the things that raises a
warning flag. Step carefully
here, if you want to keep
yourself honest. What parts of
the structure are solid, what
may cave-in under examination?
Here's a few other warning flags:
"The mall, predictably, almost
ruined Saratoga's downtown
business district. The town's
movie theater closed. The
single "department" store [ref]
downtown became a steakhouse.
The Newberry's five-and-dime In one of Kunstler's on-line
became a punk-rock bar." p 145 examples of architectural
eyesores, he includes a
And what exactly is wrong store-front that looks like
with punk-rock bars? it would meet anyone's
approval, including his.
Never trust a hippie. And in fact, he *does*
approve of it... he stands
in judgement of the fact
that it's a tattoo parlor.
"The activity taking place
here, however, is a symptom
of the growing barbarism in
"Tomorrowland speaks volumes about American life. Tattooing
our present national predicament. has traditionally been a
Here, in all its silliness, stands marginal activity among
yesterday's version of the future: civilized people, the
a denatured life of endless leisure, calling card of cannibals,
where the only purpose of existence sailors, and whores. The
is the eventual permanent escape appropriate place for it is
from planet Earth to colonize other on the margins, in the back
worlds. It is, of course, another alleys, the skid rows. The
version of evangelical mainstreaming of tattoos
Protestantism's dull preoccupation (on main street) is a
with the hereafter, as well as its harbinger of social
cultivated hatred for the things of dysfunction."
this world (such as the dignity of
work) -- otherwise, why be so Kunstler is trying to
anxious to leave the planet?" p 226 volunteer as Ministry
of Culture, but he's
So Columbus was a dope, eh? not the kind of man
you'd want to see in
Never trust a mundane. the job. He may be
proof of why the job
probably shouldn't
exist.
And in the sequel "Home from Nowhere"
he makes some sort of remark about
Americans descending into
self-destructive obsessions like NORMAL_PERVERSION
kinky sex.
Kinky sex is
self-destructive
only if you
don't do it right.
Never trust a puritan.
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