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PILLAR_OF_LEAR
May 31 2004
About ANNA_KARENINA:
So that he can focus solely on the
music at the concert, Levin very
carefully isolates himself from
irrelevant distractions; he stands
behind a pillar, and closes his eyes:
But the longer he listened to the _King Lear_
fantasia, the further he felt from the
possibility of forming any definite opinion.
The musical expression of some emotion seemed
perpetually on the point of beginning, when it
suddenly broke into fragments of the
expression of other emotions or even into
unrelated sounds which, elaborate though they
were, were only connected by the whim of the
composer. Even these fragments of musical
expression, though some of them were good,
were unpleasing because they were quite
unexpected and unprepared for. Mirth, sadness,
despair, tenderness, triumph, came forth
without any cause, like the thoughts of a
madman. And, as in the mind of a madman,
these emotions vanished just as unexpectedly.
-- part VII, Ch V, p619
Afterward Levin talks to someone who
was able to appreciate the music
because they were thinking of it in
terms of the "King Lear" concept:
He had read the additional information
in the program about the dramatic
actions the music was supposed to
represent.
So possibly:
The music is bad music,
because it does not
stand on it's own.
or
The music, like all art,
needs to be taken in context.
Levin was suffering from a kind of
tunnel vision, the kind of thing a
methodical, disciplined, well-meaning
person like himself is prone to...
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