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THUNDER
February 26, 2004
"Why can't I say it straight out? Why do all
of us (you too!) pretend we think honest
feelings are infra dig? In the nineteen-twenties,
when I was still young, a lot of people in the
theatre began jeering that all the old plays
were funny. If you took a part with real guts
in it, if you cut loose and gave it the works,
they said you were funny too. They tried to
scare you with the word 'ham.' And why?
Because they couldn't do a part with guts in
it, so they know they'd better not try.
"The theatre's changed now, thank God. Or at
least it's changing. Even then I thought,
'To hell with this mealy-mouthed stuff. Play
it in the grand manner or don't play it at all.
If a line's difficult, show you know your job
by getting away with it ... "
"Desmond Ferrier", in John Dickson Carr's
_In Spite of Thunder_, p. 148
(c. 1960, set in 1956)
Carr frequently expounded on subjects
like this inside of his fiction; he was
a defender of the tale of blood and
thunder, and had many an unkind word for I sometimes wonder
effette intellectual pretensions. though how he would
feel about this
Russian novelists in issue today...
particular get rough RUSSIAN_PLOT
treatement at his hands. The public has if
anything even
The above exposition reflects what is less patience for
really good about Carr: if you're going intellectual
to do it, do it like you mean it. affectation than
Don't wink at the audience about how ever before.
silly it all really is, take it seriously,
do your best to "get away with it". They want action,
fight scenes,
And Carr certainly fart jokes,
could get away with it... special effects,
CASTLE_SKULL and plenty of naked
Note that Carr was a man breasts, (or things
who knew something about that sort of look
the 1920s (that was when he like them).
started writing):
In comparison, Carr's
Interesting that the irony version of fiction
vs. sincerity war has been with guts in it is
going on this long... remarkably civilized
and restrained, full
of references to
But then, even those terrible obscure technical
Russian novelists had something literature about
to say about it: poisons, histories of
London in the 1600s,
esoterica about
"He spoke involuntarily in his medieval Satan
habitual half-bantering tone worshippers and so on.
which seemed to make fun of
those who said such things BOOKSHELF_OF_CARR
seriously; and in that tone
it was impossible to say what Be careful what
had to be said to her." you ask for...
ANNA_KARENINA (1878)
part II, Ch XI, p135 DOWN_WITH_KAEL
(Karenin speaking to Anna)
UNLIKELY_CONFESSION
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