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TWIN_CINEMAS


                                               March 20, 2008
                                               March 20, 2009
I've been listening to some old
"New Pornographers" lately,
specifically the "Twin Cinemas"               In compliance with
CD that came out in 2005, and I               Stamp Out Useless Puns
decided to figure out once and                Month, this was not
for all what the lyrics of the                called "TWIN_SIN".
title track were about.
                                                  Usually, I am
My first impression just from                     in the SOUP...
catching a few phrases from the song:

The "Twin Cinema" is your brain, and
the song is a celebration of that
which appeals to both sides of the
brain:

   "They're showing that on both screens!"



   I figured it was about something (or everything?)
   that appeals to passion and intellect; reason and
   emotion; logic and esthetics.

    Firing on both lobes,
    standing on both pedals.                          ZERO

         Sometimes gut feelings and careful           BIBLES
         planning are in conflict, but
         sometimes they're perfectly in sync,
         going in the same direction.

         There are issues that are no-brainers --
         because they're all-brainers.




Anyway, that seemed like a good theory to me, but the
trouble with it is that it sounds a lot like a song
that I might try to write, which is to say it could
be that I'm projecting on to "Twin Cinemas".


I listen closely, but have
trouble picking out the
phrases:

   The vocals just aren't that distinct:
   A male falsetto harmony, mixed a
   little into the background ala the       That's probably what
   bouncy, poppy rock style that the        the name of the band
   "New Pornographers" favor.               means: they're absolutely
                                            shameless about pushing
                                            the Pop buttons
                                            over-and-over.

I look over the packaging for a
lyrics sheet in vain, and so I
resort to the internet:

  [ref]

  "in home theaters
  still projecting
  undestructing                          These phrases all remain rather
  a voice from the back of your          Delphic even when you see them
  double feature                         in print: I think they were
  soft and harder                        shoe-horned slightly awkwardly
  wait                                   into a tightly fixed meter.
  in silence                             When sung, the song has a
  while planning your attack             halting gait to it, several
                                         short staccato lines followed
  "shining through the hollow today      by a long one in double time:
  thinking maybe heavens away
  they've shown this on both screens        DOUB--  ble  feat-  ure
  they've shown this on both screens"       SOFT--  and  hard-  er
                                            WAIT--  in   sil-   ence
                                            while planning your attack!

                                                  (And in internet lyrics
But I immediately learned something from          sheets, you need to infer
the printed words: the key line is in past        your own punctuation:
tense, not present:                               even if they tried to do
                                                  their own, it's not
   "they've shown this on both screens"           reliable.)

And that immediately made me wonder if I've
called this wrong: Could it be that the idea
is that it (whatever *it* is) is stale,
overdone, and overexposed? ("Oh man, they've
shown *that* on *both* screens.")

The second thing I noticed is that
there's a line about "16th and Valencia",
which is an intersection in the Mission
District in San Francisco. This sent me
back to the liner notes: they're not
local, are they?  Nope: they're Canadian.


                              And I also see that in
                              their list of "thanks
                              to" they mention "The
                              Winks" a Canadian band    Just one or two more
                              that was a "recent        of these and I can
                              discovery" for me.        shout "Trend!", and
                                                        start babbling about
                                                        The Canadian Scene.

This, for me, opens up a whole other
range of questions.  16th and
Valencia could be regarded as one of
the coolest places in the universe,
or it could be shrugged off as some
place past it's prime that's been
"discovered" and lost it's edge.

There is indeed a movie theater
right around there: The Roxie is
on 16th, a few doors down from
Valencia... but until recently                 (They took over a small place
The Roxie was definitely a single              next door and added a second
screen theater                                 screen for the many "small"
                                               releases that can't fill the
  And what does a "Twin Cinema"                main space -- one of the
  seem like to these guys?  These              problems a place like The
  days, a two-screen theater is a              Roxie faces is that every
  *small* place (when I was a kid,             indie filmmaker in the city 
  they were still very unusual).               thinks it'd be a great idea to
  Is a Twin Cinema old-fashioned,              open there, but they don't
  retro, a holdover... a hipster               have the resources to do
  hang-out in a run down part of               publicity, and neither does
  town ("in torn seats")?                      The Roxie).

  And does that make it skid-row, or is
  it the incubator for the cutting edge
  movements of tomorrow?

      "teeming with things
      you can find in the dark
      dust in the light
      falling through
      day after night"

  I could go either way on this... is it an actual
  "anthem" for something, or does it just *sound*
  anthemic because the New Pornographers have trouble
  doing anything that doesn't sound that way?

There are some phrases that support
my first interpretation:

   "no protecting
   from voices in the back of your--     From the back of the
   double feature!"                      theater, from in back
                                         of your seat, from
                                         the back of your mind.




      "shining through the hollow today"



             "Twin teachers!
              False and feature--
              picture and author, yeah!"





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