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WEIGHTY_CONCEIT
July 25, 2007
NAUGHT_SEVEN
Alan Moore & Kevin O'Neill --
"The League of Extraordinary Gentlemen", Vol 1. (1999-2000)
(graphic novel)
My first exposure to this
as a comic didn't leave The drive of the story
me very impressed, but derives from a slightly
seeing it as a graphic silly mechanism: the
novel gives a more reader is constantly
positive impression. made to wonder about the
"identity" of various
I don't usually have a characters, i.e. what's
problem coming into a their equivalency to the
story in the middle, but figures of late 19th
maybe that's not century fiction.
adviseable with Moore.
In the case with
The O'Neill artwork is the female lead,
full of interesting we're told
crazed futuristic immediately that
anarchronisms ala she's using her
"steam-punk" (not to maiden name, so
mention "Brazil", we know she has
"Wild, Wild West"...) some other name
we're more
familiar with.
She refuses to
remove a scarf,
suggesting neck
wounds, and
perhaps vampire
tales...
SPOILERS
It's at least mildly
clever that Moore
selected once of the
And it took me long enough, but neglected female
I think I understand where characters from a
Moore was coming from on this, familiar story,
the central notion is one I've where even the
had in other contexts because secondary male names
of the music sampling are rather familiar
controversies. to the comics nerd.
The point is: if the monster corporations
are going to get so fussy about "protecting
intellectual property", maybe it's time to
steer the cool in a retro direction, and
work exclusively with sources from the
pre-Mouse era.
RETROROCKET
Alan Moore is someone who's made his
name (to a large extent) with doing
intelligent re-workings of characters
invented much earlier, re-treads of
fading "has-been" properties.
The trouble with this is two-fold:
(1) you're often not much rewarded
when you succeed, e.g. post Frank
Miller, Batman is still "created
by Bob Kane"
(2) your creations get hung up in
tedious legal shake-downs,
e.g. Moore's "Miracle Man" (aka
"Marvel Man") which is truly
excellent and out-of-print for
decades.
Moore's solution is to go more heavily
into pastiche than Phil Jose Farmer
himself, and work up a comic book
"universe" full of cross-overs from
19th Century literature, which not
incidentally is the original source
material that's mutated into
superheroes and science fiction.
Captain Nemo, Mr. Hyde,
"the Invisible Man",
and Alan Quartermain,
along with the aforementioned
Mina Murray, effectively the
leader of the group.
There's the suggestion that this
pastiche-o-verse is something more
significant than an uncreative
forced recombination of existing
elements, it is something like
literature itself...
"The Blazing World".
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