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MELANCOLY_TRAP


                                           December 15, 2010
                                           February 27, 2011

"The Melancoly of Haruhi Suzimiya"
                                            MELANCOLY
   The overall narrative goes nowhere.

   The first two DVDs establish everything
   of importance, the last two are just
   treading water, they loop around and come
   back to the same set situation, without
   any of the real mysteries resolved.

   The end of the series is the shaggiest
   of shaggy dogs, an episode where almost
   literally nothing happens (the viewpoint
   character spends most of it sitting on
   a train by himself).

      For the "second season" they chose to
      interleave additional episodes between      Were they embarassed by
      the existing ones, adding more stories      all the lose ends they'd
      where nothing really happens.               let drop in the first
                                                  season?  (What happened to
                                                  the talking cat?)

                                                     That is "explained"
                                                     in the 2nd season, or
                                                     at least explicated.
   In a story whose relationship with other
   stories is the real, central subject,
   the refusal to find an ending is a real
   failure.

   What I find interesting about this work:
   a love for genre, self-aware but not
   paralyzed by it's self-consciousness.        AWARE_BUT_THERE
   Inside and outside, but still somewhere.

   The rejection of the possibility of a conclusion.
   A desperate fear at choosing the wrong conclusion?


What endings might have worked?

At one point this is where it appears that
they're going: they're leading up to the
"declaration of feelings" scene between Kyon       NOUNIFICATION
and Haruhi. Maybe:

"You're one of the most annoying people
I've ever met, but I can't imagine
living without you."

Or maybe:

"Everyone else seems to have decided
I'm supposed to do this, but that's
no reason not to do it."


   But there are some troubles
   with doing this...

   This is the sort of story where
   romantic love has been set up *in                            MAGIC
   opposition* to magic, the embrace
   of love is then the commitment to         "we grow stronger
   be normal, the end of the real            through our dreams,
   quest.                                    not through someone"

         I think that's the larger problem.

         The anti-feminist spin is a corollary:
         powerful women are *dangerous* (and
         perhaps worse, *annoying*), and all
         they *really* want is just to get laid.



So, on top of resolving the love
triangle (pentagram? whatever) you      (The way you would really
need to add in the idea that Kyon       deal with a Haruhi, would
is *converted* to Haruhism, he          be to try to impress them
decides to join her on her quest        with the magical quality of
for a more magical existence.           every day existance.  Take
                                        her to the beach and begin
   ADVENTURE                            sorting through the stones
                                        with a magnifying glass,
                                        looking for "good ones",
                                        until it sinks in that
                                        they're all good if you
                                        really learn to look.)

                                                 TRICK_OF_ATTENTION


  That *can* be tied
  into Kyonism...             KYONISM

     Kyon has been locked in this
     existance as a learning experience,        MAKER
     and when he gets through it and
     comes out the other side, he joins
     forces with Haruhi and takes the
     SOS Brigade on the road, in search
     of the truly weird and wonderful
     underpinnings of existance.


         That sounds workable to me
         as a grand finale, but *only*
         as a grand finale... (can
         you imagine the SOS Brigade
         dressed up in super-suits           (Ala Bleach, where by an
         and charging around trying          unexplained coincidence
         to save the universe?)              everyone the main character
                                             knows in high school turns
                                             out to have a super-power.)


         And this I think, is the *real* hang-up:
         they're painted into a corner with
         one twist ("Kyon is god") in reserve,
         a card that *has* to be played, but once
         they play it the game is over, and their
         very popular series is at an end.

         They can't play the card just yet, but
         they also can't do anything that undercuts
         it, so they've got to keep everything
         static.  They can do trivial loop
         stories ("Haruhi wants to play baseball!"),
         or they can self-consciously play games
         with the fact that they have to keep
         anything from happening...

         This explains the static last
         episode of the first season, and        Note that the seven
         the long "Endless 8" of the second      episodes that make up
         season, where time continually          the "Endless Eight"
         resets (ala "Groundhog Day").           display no symptoms of
                                                 laziness in production.
                                                 Art is not re-used
                                                 from one episode to
                                                 the next-- essentially
                                                 the same scenes are
                                                 depicted in slightly
                                                 different ways each
                                                 time.  And they had
                                                 the voice actors
                                                 record the same dialog
                                                 repeatedly to try to
                                                 get an increasing edge
                                                 in their voices as the
                                                 story progresses...
                                                 or refuses to progress.






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