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NARRATIVE_DRIVE
April 6, 2008
If our grasp of narrative is central to May 6, 2008
our understanding of the world, then it
would seem to be something that needs
study. RELUCTANT_STORYTELLER
It raises some interesting possibilities:
one might save the world with a school of
literary criticism.
At the heart of our study of
humanity is a study of stories.
The kind of stories we like, the way we
relate to stories, the different kinds Why is it that it's easier
of stories that might be produced, and to get Americans interested
the ways we might be able to relate to in stories about mythical
them if we made an effort to do so... Iraqi nukes than in stories
about a neo-fascist takeover
of the U.S., justified by
These are huge subjects, trumped-up external threats?
possibly critically
important subjects. What makes people shudder at
the thought of nuclear
accidents, but shrug off
thousands of deaths from coal
If there's a problem with our exhausts?
collective understanding of
the world, might it not be
at root a disease of narrative? Perhaps we need a
wider taxonomy of
the unpredicted.
Some swans that
The theory that I come alight become
back to often is that ominous vultures
the trouble may be that all expect to
we don't take our return: 9/11,
stories seriously. Chernobyl/TMI...
Once, stories were Do all?
Peter Schwartz, held in regard as
is an advocate something sacred... Are all disasters
of "scenario perhaps that made dark swans?
planning", some sense.
i.e. grasping at Or is there a
the future by syndrome of
telling multiple ignoring the
stories. possibilty
that some dark
ART_OF_THE_MULTIPLE_VIEW birds will
ever return,
in spite of
all historical
evidence?
Wars.
Taleb does admit Floods.
that we don't always
underestimate the odds RISK_ASSESSMENT
of big changes:
"... there are conditions
under which people
overestimate the unusual or
some specific unusual event
(say when sensational images
come to their minds) -- which,
we have seen, is how insurance
companies thrive." -- p. 141
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