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NOWHERE_VICTORIANS
October 30, 2001
"The Geography of Nowhere"
(1993) by James Howard Kunstler
has a very good summary of
architechtural history. NOWHERE_MAN
History of the Victorian:
"The revolution started with what was at
first mockingly called the 'balloon
frame.' Prior to this time, all wooden
houses-- whether Georgian, Greek,
Federal, Gothic, or vernacular
farmhouse-- were supported by
post-and-beam frames. Massive timbers
were connected by joints, such as the
mortise-and-tenon, and secured with
wooden pegs called 'trunnels' (from tree
nails). Hand-wrought iron nials
existed, but they were mainly used for
finish work, and were so terribly
expensive that families leaving New
England to settle western New York and
Ohio knocked apart the insides of their
old farmhouse in order to salvage
precious nails for the next homestead.
[...] By the 1840s this began to
change."
p.161
And so on.
He touches on:
White pine forests in upper Michigan.
Canal shipping.
Factory-made steel-wire nails.
At one point, he suggests
baloon-frame houses rot and That would not seem to be the San
sag after roughly a lifetime. Francisco experience, but then,
Meaning what, 50 years, 100? maybe SF has the weather gauge.
And the Victorian's do need to
have dry rot repaired on occasion.
More:
"The light and versatile wooden frame
made possible all those turrets,
balconies, bays, cupolas and porte
cocheres of the Victorian styles. ..."
"At the same time, factories
mass-produced wooden mill-work --
brackets, spindles, balusters, shutters,
moldings, and all manner of decorative
items -- ..."
"These houses became such exercises in
wretched excess that the next generation
ran shrieking back into neoclassicism."
p. 163
"Discusses a book by Downing and Davis
called _Cottage Residences_, published
in 1842: 'The plans offered by Davis
and Downing formed a schematic basis for
the orgy of styles that followed, which
came to be bundled under the rubric
''Victorian.'' ' " p. 159
All of this is from Chapter 9, "A Place
Called Home", and it left me puzzled.
It's a history of American building
styles, and I get the sense it's
supposed to be a tale of decline.
Myself, I have trouble perceiving where
things are supposed to shift from good
to bad.
One remark:
"The tragic thing is that there
existed in America a fine
heritage of regional
home-building traditions, rich
with values and meanings, and
we threw it all away." p. 149
Is his concept that everything *after*
the invention of the baloon frame
sucks? That would be *extremely*
reactionary, in my opinion, but he Funny: does he
does appear to be sneering at loathe *both*
Victorians in places ("frippery", "Modern", and
"orgy of styles"). "Victorian" AGES
Architcture?
If baloon-frame Victorians In his TED talk,
are okay, when did things stop he states the 3/2009
being okay? conventional New
Urban opinion that
the United States
went the wrong
direction after WWII.
But the picture he
uses for the pre-WWII
golden era is
On page 168, he talks actually a line
about the lack of charm, drawing of a
and charm being related horse-and-buggy era.
to connectedness, and the
car is the villain that What about, say,
produces the Possibly he New York in the
disconnect... envisions a 1930s?
steady
collapse The Jane Jacobs
If Victorians are proportional take on these
Not Okay, you to technical issues is much
can't blame that advance, more reasonable:
on the invention with the car it isn't the car
of cars. as the that's at fault,
capstone? but the roads.
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