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ORPHAN_ADVENTURES
December 15, 2011
The orphan is a common motif in
shoujo fiction, for reasons that
should be obvious with a moments
thought: the young adult is about
to have adventures, about to charge
out into the unknown and get into
situations that no parental unit
is likely to approve.
So either the hero is a Bad Kid,
a rebel that refuses to listen, *or*
there are no parents to get in the way.
Compare this to Unmarried Male
motif of male adventure fiction:
for a man with a family to get
involved with these dangerous
situations would be irresponsible,
so either the hero is irresponsible--
or Required By Duty, in which case
there are lots of tedious Cops Wife
scenes ("I am so *worried* about you")--
or there's just no family there.
The romantic conquests of the
hero are prone toward tragic
death, just to get them out of
the way for plot reasons.
The goal is to develop connections,
so connections must be severed or
the drive disappears.
And so, there appears to be
a gulf here between life and
fiction...
Fiction is often built on
these sorts of evasions.
And so, what can you do with the idea
that one can live *through* fiction.
It would seem that "fiction vs. life"
is a more sensible angle to take.
SURROUNDED_BY_STORIES
By what method shall I proceed
from this conundrum?
Choose an angle, a lens to view the
material through, and then re-read
various things I've written on this
subject after choosing a lens.
Possible lenses: fiction a drug, I'm an addict,
hence my drive to rationalize my interest in these
flawed, pernicious artworks.
Another: bad fiction is bad, and
good fiction is good: so where's
the line?
Another: work backwards from
something worth having. What would
I really like to discover? Assume
it exists, then try to get there.
I would like to find a way to paralyze
the mechanisms of political lies.
I would like to expand the
values of humanity so that
humanity is valued.
I would like to make us whole.
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