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April 29, 2012
Re-start: May 7, 2012
"Oatku Japan's Database Animals" (2001)
by Hiroki Azuma
OTAKU_WAY
English translation:
Jonathan E. Abel & Shion Kono
As befits a "postmodern" analysis, the
terminology here doesn't really make
much sense, but while "your brain is a
computer" has become a dull cliche,
"your culture is a database" is a new But then there's the other
one on me, and Azuma deserves credit puzzle of Azuma's title:
for this alone. "Animal"?
The wonky diagrams explaining OTAKU_ANIMAL
the terminology are pretty
funny as well.
He begins with the idea that there
are many small narratives visible to
any individual, but that they have an
invisible structure underneath them.
Back in the good old "modern" world,
there was supposedly a single underlying Azuma calls the modern world's
"grand narrative" beneath them all. central grand narrative a "tree
view": I gather that the idea
But now, here in the postmodern world, is that there's one central
world that many-to-one relationship trunk (the "grand narrative"),
breaks down into a many-to-many. and all the smaller narratives
branch off from it.
He calls this the database view,
where in place of one grand
narrative, the many small visible
narratives which map to a series
of slots that Azuma thinks of as I might call this a collection
entries in a database. of familiar tropes and "genre
conventions".
The particular
case that Azuma TROPISM
is interested in
is the otaku
sub-culture, and
the database of This restriction does
moe elements. not seem implicit in
the model.
This insight was inspired
by an actual on-line database, NOUNIFICATION
a Japanese website created in
1996: tinami.com
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