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BEATNIK_59
March 9, 2004
Rearranged: June 18, 2006
I keep coming back to
the example of the '59
Beatnik.
Imagine a teenage girl in
1959, choosing to put on
a ritual set of black The timeline, for reference:
leotards and go strutting
around the West Village 1952 - "This is the beat generation"
of New York City. in the New York Times Magazine
1957 - "On the Road" published
It's not at all unusual to
look down on this girl as a 1958 - Herb Caen christens them
late-comer, a clueless kid "beatniks"
trying to hop on the post
"On the Road" bandwagon 1959 - The Dobie Gillis show begins,
without any exercise in with Bob Denver as Maynard
creativity on her part... G. Krebs
But try and imagine yourself <A HREF="KREBS.html">KREBS</A>
in her place... think about
how tightly constrained her
options are, the kind of I selected 1959 for a reason:
messages she was fed all her it's late enough that every
life about what she's teenager had some dim notion
supposed to be, the gauntlet of what it was like to be a
of social pressure she needs "beatnik", but early enough
to run. That standardized that the icon still had some
beatnik outfit stops seeming power.
quite so trivial, and more
revolutionary -- if not
outright foolhardy. This is probably true on through
the early-60s, but if I said 1962
By anyone's numbering I'd confuse someone who didn't
system, the '59 beatnik realize that in 1962 no one
is at best the second really knew the fifties were over.
model on the market.
(I could be wrong about
But for that particular details though: were
teenager, it's all the black leotards The Thing
first time around. in '59? Or was that later?
Or never?)
She plays the cards that
were dealt her, but she
plays them according to
her own spirit. The '59 beatnik has to be
regarded as a real
individual, a seeker after
the grail of hipness no less
valid than those who blunder
through the wilderness
without a media engraved
chess-board to move across.
Everyone who lives No one is ever
is in the first in the first
generation. generation.
Something like that.
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