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RADIO_CHANGE
May 29, 2011
When "the radio show" becomes
"the web cast", there's a
large change in the perception
of the beginning of the show.
With broadcast radio, the
listeners can be expected to
be trickling in gradually: And further, listening
few set an alarm and tune-in to a broadcast is rarely
at the top of the hour. an act of focused attention--
unless you're an exterme
If you've got the freedom radio freak.
to lay out the show as you
like (as is typical in the The vast majority of the
non-commercial radio world, audience is driving a car,
and *only* in that world), listening to the radio
you might as well get some with half an ear.
required announcements out
of the way, before you get
into the real show.
As a greater proportion of the
audience is moving to the internet,
both of these details change:
Someone listening to a time-shifted
webcast is likely to be starting
right at the top of the hour when
the automated system began recording.
And the audience, at least when the
show is started *is* listening with
focused attention, as they decide
whether to stick with this broadcast
or move on to something else.
This means that the start of a
webcast is the critical point
in the show, the one and only DEATH_OF_THE_ALBUM
"sweet spot" that you can count
on.
First point: delay *all*
required announcements as
late as is allowed (unless,
of course, you feel an
announcement *deserves* to
be featured). Stacking the
beginning with announcements
is a formula for tedium that's
likely to lose most of the
audience.
Second point: consider the
"musical theme", should you
begin every show with the
same piece of music?
This is a hard one:
Theme music can be a really
powerful trick, it makes the
show instantly recognizeable,
it adds a dependable element
of ritual to the practice of
listening to the show.
On the other hand, if the show
literally begins with the theme
you lose all hope of identifying
*which* particular show it is
just by listening... if you're At the very least,
trying to solve the problem a spoken introduction
of "have I heard this one yet"? before the theme
the theme music is an impediment would seem to be
that needs to be fast-forwarded adviseable.
through.
But large amounts
There's also the problem that chatter or
it's a rare piece of music administrivia
that can stand up to this is very bad:
kind of abuse, to be listened get to the point,
to over-and-over. fast.
Further, it complicates the
problem of smooth segues,
particularly if you don't
stick to any one type of In one case I know of,
music. Every show must the DJ picked a very
begin from the same place, "catchy" piece of music,
no matter where you intend (getting it stuck in your
to take it. head was a pain whatever
it's merits), and the DJs
taste shifted over time,
so that the theme no
longer fit the rest of
the music.
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