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SIN_OF_FORM
April 19, 2014
There's a complex of issues
surrounding the invention of
the new, and the difficulties My own take is that the real
of trying to work without trouble is a matter of
tradition to fall back on. fashion demanding something
that seems new, thus
obviating the possibility of
gradual refinement through
trial and error.
Different people see the
problem in at least slightly NOVELTY_AGAIN
different ways.
Christopher Alexander, writing
in the early 60s, sees rapid "Notes on the Synthesis
cultural change as an independent of Form" (1964).
force to be coped with:
"In the past-- even after the intellectual upheaval
of the Renaissance-- the individual designer would
stand to *some* extent upon the shoulders of his
predecessors. And although he was expected to make
more and more of his own decisions as traditions
gradually dissolved, there was always still some
body of tradition which made his decisions easier.
Now the last shreds of tradition are being torn
from him. Since cultural pressures change so fast,
any slow development of form becomes impossible.
Bewildered, the form-maker stands alone." p.4
Christopher Alexander notes the obvious difficulty
that conscious attempts at extreme re-invention often
run up to the cognitive limits of the designer:
"But if we look at the lack of organization and
lack of clarity of the forms around us, it is plain
that their design has often taxed their designer's
capacity well beyond the limit." p.5
The way it often seems (certainly the way
it seems now, 50 years later), is that
architects continually indulge themselves It's possible that I'm unfair
in novelty for novelty's sake... they to architects, and that
hardly seem like innocent victims of there's a perverse social
fashion struggling to keep up. dynamic at work-- maybe you
need to knock-their-eyes out
with a crazy concept sketch
or you won't even get noticed
by the committee.
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