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TO_HERE_AND_THE_EASEL
May 24, 2019
Theodore Sturgeon's "To Here and the Easel" MISSING_PIECES
is a story with a number of aspects to it--
STURGEON
It is about a blocked-artist, a painter that
finds he can't paint, and isn't sure why... FANTASTIC_VEIL
He eventually comes to a great realization Or maybe it's about a
about his hang-up; he needs to learn to capricious, hyper
deal with the inevitable imperfections of beatnik racing about
reality (or the aspects of the real that he playing minor pranks...
perceives as imperfections?). Embrace the
brown spots on the flower, rather than Or maybe it's about
idealize them away. the texture of language,
modern babble vs
AMERICANBEAUTY archaic formalities...
Or maybe it's about the
This resolution to the story doesn't furniture of a fantasy
strike me as perfectly convincing-- story applied to a purely
Sturgeon comments somewhere that he psychological one.
himself wasn't sure how to end it, and
ended up asking an artist friend for
advice. In the text, Sturgeon THE_IRON_KEY
essentially acknowledges the problem,
with a remark about how most artists
deal with this issue early, though this
one is dealing with it late.
But it is, however, reasonably tightly
integrated into the story, which along And what else? If you
the way features a woman pretty only want to write a tale of
on the outside, and another plainer one an artist plagued by an
but with one really striking feature-- existential crisis
(rather than merely a
crisis of existing), what
angle can you pick?
CHEESECAKE
Every confusion,
every hang-up,
will seem obvious
and trivial to
those who've
gotten past it.
Frequently, it will just come off as an
excuse, dressing up a simple, common set
of issues with procrastination and the
feel of failure. It's embarassing to be a
fuck-up in the same way that everyone else
is, so instead we try to glorify it as a
great intellectual struggle.
But would you want to argue that there are
no such struggles? If there's no deep
challenges in the work, is the work really
worth all that much?
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