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WHERE_ANGELS_GO_NUN_FOLLOWS
February 3, 2014
About the Korean television
show usually called "You're
Beautiful" (sometimes it's
called "He's Beautiful",
which makes more sense):
A young woman (in training to be a Nun, of
all things) has a fraternal twin, a brother
who has been invited to join a boy band
(named "A. N. Jell"). Her brother is
unexpectedly hospitalized for several In keeping with what I
months, and she's recruited to join this boy think of as the
band by cross-dressing and passing herself Monkees-convention,
off as her brother. all the members of the
band live together in
the same household.
Eminently watchable, though at 16 episodes it
could be criticized for being 6 too long.
Unlike "Tokyo Bandwagon", one does start
wondering when they're going to get moving
on conflict resolution...
The trouble is that nearly every ball in
the air is easily resolvable, simply by
character A saying something obvious
to character B.
On the other hand, the sheer amount of space in the
plot leaves room for some lightweight goofing where
the real creativity is shown.
The manager tells the female lead about
pressure points, inventing a pressure
point to "control one's feelings" on This manager rapidly turns into
the tip of your nose. This leaves the a plot device: he says silly
female lead suddenly pressing the point things to people without much
of her nose up, doing a "piggy nose" at motivation on his part, simply
various inappropriate moments. to generate confused situations.
The use of this is not exactly inspired,
but they work it *really* hard, without
quite over-working it. TOUCH
It's interesting how many of the motifs of this
story are shared by Japanese shoujou... Is Korean
culture really that similar to Japanese, or are they
just imitating what they've seen, treating it as
genre conventions?
o Clumsiness as a moe element.
LOLITA_MOE
o The ridiculously innocent and passive
female lead.
ROMANCE
o The playing with incest-- could it be
that the romantic leads are really
(unbeknownst to them) brother and sister?
The central elements are common to many
such stories: the female lead has
multiple, famous rich young men chasing
after her, and earns the envy and hatred
of one of the most famous young women--
this achievement is performed without any
intent or positive action on her part
(she is thus not conniving or slutty),
her sole weapon is her superior, inherent
niceness.
SECRET_HOTEL
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