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OPENENDED
January 19, 2013
September 29, 2013
The Open-Ended Manifesto:
THE_ENDING_MANIFESTO
The inherent up-in-the-air, shoe-never-drops
nature of series fiction that never reaches
some trite "conclusion" has a clear virtue:
It provokes the fan into a use of imagination,
it prompts the "doujin" reponse to craft your Is there a fan of
own conclusion when you're impatient with the "Skip Beat" who has
official creators. not already envisioned
an ending for it?
There's an odd pattern in many IMAGINARY_FINISH
of these stories where everything
rests on a particular mystery that
is never actually explained.
In "Mysterious Girlfriend X", based
on the evidence (and a knowledge of
manga/anime tropes), we expect that Presumably: her saliva
the female lead is actually an is infested with
alien, or an android, or something nano-machines, hence
like that... it's odd contagious
quality.
In "The Melancoly of Haruhi A detail reminiscent
Suzimiya", we're told something of a Cory Doctorow
about what's going on... story: Japanese
manga/anime folks
MELANCOLY often seem far better
read in American SF
But it's pretty clear that there's than their
another layer to it that's not counterparts in the
fully explicated: States would be.
KYONISM
They're not in any hurry to
actually tell us what's going
on (because we're not really
in any hurry for them to tell us):
They leave the mystery in
place, and just hint at it's
outlines: this can make it
feel like a deeper story, MEDIAVORES
they presume that you can
deal with some uncertainty,
that you might prefer to use We're assumed to be sophisticated
your own imagination to fill consumers-- they know it's not
in the gaps that they're difficult for us to make up our
leaving. own explanations. Possibly they've
got one eye on the internet: they
want us to join in on discussions
of where the story is going, and
hence help amplify the buzz.
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